Aazam Review : Jimmy Shergill fails to impress again on the big screen, half-baked story of attempts to become father from brother

 



Movie Review
Aazam
Artist
Jimmy Shergill, Abhimanyu Singh, Indranil Sengupta, Govind Namdev, Raza Murad,Anang Desai and Shishir Sharma
Author
Shravan Tiwari
Director
Shravan Tiwari
the creator
T B Patel
Release:
26 May 2023

Actor Jimmy Shergill is competent. The actor must also continue to play around with his characters. In this regard, the role he played in the movie "Aazam" presents a good chance to create a new boundary for his performance. With tales based on Mumbai's underworld, Hindi films have always played hide and seek. Bhiku Mhatre and Subhash Nagre were among the other irate young men who left this movie theatre. Javed's turn is now. Jimmy Shergill hasn't had a leading role in a movie that was shown on a big screen in a very long time.They are only given small roles in high-budget Hindi films, and even when they are given large roles in low-budget films, the mainstream cinema audience is out of their reach. For the past 20 years, Jimmy's career has been a jalebi that revolves around this circular.

Who is the king of Mumbai ,…?

Jimmy Shergill is now playing Javed in "Munnabhai MBBS," after Zaheer in the movie. According to legend, the underworld of Mumbai has been operating out of South Mumbai. The condition of the Nawab sitting on the Don's chair is crucial after the Sultan was killed. It is almost over. A new don is required in politics—one who will kneel before him. The gathering was held. When chhatraps from various parts of the city gather and decide on a name on which to agree, Javed settles the matter with the don's son. The remaining satraps are then executed one by one.The authorities are aware that they picked the wrong pawn in their wager. In the last round, a police officer who plays chess also entered the race. It is a tale of a single evening. Its preparation, however, is quite old. In the mobile era, the game of the underworld is performed with the aid of hackers, and the subject occasionally gets quite intriguing.



A lousy story is a flashback.

Shravan Tiwari is the author and director of the movie "Aazam." Although Shravan is also the film's editor, this movie serves as a lesson in how background music alone can carry a well-made movie. The film's script was written in a highly intriguing manner by Shravan Tiwari. This two-hour movie moves so quickly throughout the first hour that it feels like a crime thriller has finally been witnessed. But after this, a large pit of flashbacks appears in front of this galloping movie. In addition to ruining the enjoyment of viewing the movie, Javed begins to weaken his own persona by interjecting so many old tales.Jimmy Shergill is the movie's protagonist; therefore, it stands to reason that the other performers could be Sayaji Shinde, Mushtaq Khan, or Ali Khan.

Wazir Nahi Pawn Ka Khel,

The movie "Azam," which could persuade Jimmy Shergill to reprise his role as the main character in films, cannot aid him in this endeavour. He continues to be the movie's narrator. In the movie, he does not play the hero. And the reason for this is that his character is not present when or wherever the story's plot-twist-inducing events occur. Except for the story's opening, when Nanya and Kadar both passed away, In movies, there are more heroes who engage in mind tricks behind the scenes. If Jimmy Shergill's character had been playing this game for some sort of worthwhile task, then this movie would have been beneficial for him in this situation.Because the entire conflict is over obtaining the don's chair and because it is being fought with pawns that have been coerced through blackmail, it is challenging for the audience to sympathise with this character.


excellent cinematography

In the movie "Azam," Shravan Tiwari did a good job as a technician. Ranjit Sahu, his cinematographer, was a huge help to him in producing the movie. In this movie, which is primarily set in one night, Shahu's team did an amazing job putting together the lighting arrangement. His cutting, framing, and camera motions are impressive. But in the final scene, the monitor that was used to rotate the camera while it was mounted on the crane is also visible in the frame. That part could have been removed during editing by enlarging the frame, but perhaps Shravan shot the movie assuming it would be a mistake to remove the sight. preserved in



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